From the Story of Kumari to Female Consciousness: A Powerful Presentation of ‘Agnichakshu’

Kathmandu. The play ‘Agnichakshu,’ based on the cultural tradition of the world’s only living goddess, Kumari, is set to be staged regularly from January 25 to February 8 at Sarwanam Theatre in Kalika, Kathmandu. The play is being presented by Silent Act and organized by the Nagarik Kalyan Samaj Nepal.

Based on the cultural background of Nepali society, the play conveys a powerful message of women’s empowerment, consciousness, and social transformation. It artistically presents aspects of religion, history, and life philosophy.

The writer and director of the play stated that the work was prepared with the aim of uncovering the traditions, history, and social realities associated with the living goddess Kumari. He mentioned that receiving blessings from the late Century Person Satya Mohan Joshi during the manuscript preparation was a matter of great pride for him.

Previously, the play ‘Jiundo Aakash’ had been staged more than 100 times across 12 different locations in Nepal, following its presentation at the International Olympic Theater Festival. Inspired by that success, the writing of ‘Agnichakshu’ began. This play was first staged in 2081 B.S at Shilpee Theatre.

Subsequently, in November/December 2025, it was also performed by students at Budhanilkantha School. With the goal of staging it in both Nepali and Nepal Bhasa (Newari), Hari Gopal Shrestha has translated it into Nepali Bhasa. Currently, it is being performed in the Nepali language.

The theatrical presentation coordination is handled by veteran theater artist Krishna Bhakta Maharjan. According to the organizers, his experience combined with the energy of the actors has made the play even more impactful.

Cast and Team

The play features powerful performances by Krishna Bhakta Maharjan, Manju Shrestha, Hena Nagarkoti, Sushil Rajopadhyaya, Salona Bajracharya, Shrisesh Shrestha, Kundan Shakya, Dhiraj Thapa Magar, Rajendra Dangol, and child artist Divyata Chaudhary.

Music composition is by Bimal Lamichhane. Vocals are provided by Bimal Lamichhane and Anu Adhikari. Contributions to the musical instruments come from Indraman Maharjan, Min Ghalan, and Ganesh Rana.

The set design is by Krishna Bhakta Maharjan, while lighting design and operation are handled by Nirmal Saud. Choreography was done by JD Tamu and Krishna Bhakta Maharjan. Costumes were prepared by the Agnichakshu group.

The presentation concept responsibility is held by Jhaken B.C., with facilitation by Hari Gopal Shrestha.

Management Side

Communication coordination is by Chakra Prasad Pokharel, marketing management by Manish Manav, production coordination by Saraswati Neupane, poster design by Rajan Kafle, and box office by Shanti Chaudhary and Sandesh Pandey.

Storyline

‘Agnichakshu’ moves forward by centering on the research of the Kumari tradition conducted by a young female sociology student. Through the life experiences of former Kumari Ashtalaxmi and characters connected to her, the play attempts to bridge history, the present, and the future.

Despite social distortions, family scarcity, and the stress of a romantic relationship, the main character Ashtalaxmi understands the importance of female power and moves toward social change. This journey makes the play informative and inspiring.

According to the organizers, ‘Agnichakshu’ is not just for entertainment but is a cultural campaign conducted for the preservation of Nepali culture, female consciousness, and social awakening.